It’s some time since I posted any updates of my latest work in progress but that doesn’t mean I haven’t been working. I’ve been busy developing and building up the layers to make the work come to life. I’ve still some way to go but thought I’d share the stages that have got me as far as I presently am.
I hope that if anyone reading this is just starting out with coloured pencils these images will give them some idea of how much layering is needed at every stage. I know I certainly didn’t appreciate this when I began using the medium.
Hope this is in focus enough to make out. I really should take photos while there is daylight rather than when the light is going. Its not that it’s particularly dark today but dusk comes quicker and earlier than I anticipate especially when the day has been reasonably light for a change.
Anyway, today has been about working on the Bayan Tree, bringing some deeper areas behind what was there and deepening the layers on some of the tree. Its amazing how I can think I’ve finished an area only to realise there are more layers to go still. It makes me realise how much more work I could have done on some of my earlier pieces of CP work. Still that’s what its all about isn’t it….working….practicing….learning…..developing….. and hopefully improving.
You may also be able to make out a few paler areas to the right where I have started to lay in some of the other trees and leaves a little more. When I have finished the Bayan Tree this is where I am going next.
The colours look a little different today as this was taken in the dying daylight rather than under a daylight lamp. I hope its clear enough to make out and isn’t too dark but I wanted to show what the early layers looked like having mentioned it in my last post.
Sometimes this is referred to as underpainting which is a bit misleading really. For me underpainting is what I do when I am using watercolour pencils or watercolour paint to cover the white paper before laying down colour with the coloured pencils. The reason for doing this is because it then takes less coloured pencil to build up the depth of colour afterwards. I sometimes do this if I know I want to leave some watercolour as it is and bring some areas to the fore by overlaying with coloured pencil. Otherwise for me it is just part of the technique of coloured pencil, that of laying down layer upon layer to bring depth of colour to a piece of work.
Anyway, if you look at the picture you can see some leaves that are finished or almost finished and some that have only two or three layers of colour and which look really pale. I have done the same for some of the trees.
I don’t usually work this way as I prefer to complete a section before moving on but in this piece I need to lay in some areas i.e. the leaves and trees so I can see where I am going with the background.