Luminance and Polychromos

Art, artwork, Color pencil, Colored Pencil, Colour pencil, coloured pencil, Luminance, Polychromos, Portraits, Work In Progress

My struggle the last couple of weeks has been not to use one or the other but to work out how Luminance and Polychromos work together and to understand the similarities and differences.

Before I purchased Luminance pencils I sought information online from others who used them. Apart from one person who sold theirs on because they couldn’t get on with them, everyone else seemed to love them. I read reviews as well as comparisons but really the only way is to try them for yourself.

If I had made my mind up last week I’d have been all set to box them back up but two weeks in I am beginning to appreciate Luminance. They are though very different to Polychromos and its taken me this long to work out why, apart from one being wax and the other oil that is.

Where Polychromos are translucent, like to be layered gently, building up the colour to something vibrant and glowing, Luminance are opaque, soft, mute almost and don’t like being layered as much. When you use a light coloured Polychromos over other Polys it blends, when you do the same with a light colour Luminance it can blend but equally it can shift the lower layers around, I’ve yet to find the tipping point but I am sure I will.

Last blog post I thought I’d been using Polys on top of Luminance but this time I tried on top, underneath and in the middle. Effects are different but they work all ways now I understand them a bit more 🙂

This is still a WIP but with every little bit I do, as with everything, I am learning a little more.

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New work in progress and new Luminance pencils

Color pencil, Colored Pencil, Colour pencil, coloured pencil, Portraits, Work In Progress

My newest piece of art is of a young boy I saw while on holiday in Japan and gives me chance to try out my newly purchased Caran D’Ache Luminance pencils.

It took me a long time to convince myself to buy these pencils as they are the most expensive artists coloured pencils manufactured at present. They are wax, like my Derwent Coloursoft but seem harder, and softer and quite different from my oil Faber Castell Polychromos. Between the three sets I have a range of colours and consistency of leads. My challenge now is to find a way to make all these pencils work together.

I started this WIP on a Pastelmat paper that I had never used before. New pencils and new paper are not a good idea! I gave up and reverted to some Bockingford HP which I have used many times but I managed to damage the surface of the paper. My go to paper for recent work has been smooth Bristol Board and this became the support for my third attempt.

I decided I would only work with Luminance so that I could get to know them a little. I quickly discovered I needed to use my Polychromos for the detail, i.e. eyes, mouth and ears and also to bring in a slightly deeper strength of colour in places. I was relieved as I did this, to discover first hand what I had perviously heard, that Luminance and Polychromos can be used together 🙂

At the moment I am working on building up skin tones, trying to hang on to the translucence and smoothness of blemish free young skin as I do.

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