My newest piece of art is of a young boy I saw while on holiday in Japan and gives me chance to try out my newly purchased Caran D’Ache Luminance pencils.
It took me a long time to convince myself to buy these pencils as they are the most expensive artists coloured pencils manufactured at present. They are wax, like my Derwent Coloursoft but seem harder, and softer and quite different from my oil Faber Castell Polychromos. Between the three sets I have a range of colours and consistency of leads. My challenge now is to find a way to make all these pencils work together.
I started this WIP on a Pastelmat paper that I had never used before. New pencils and new paper are not a good idea! I gave up and reverted to some Bockingford HP which I have used many times but I managed to damage the surface of the paper. My go to paper for recent work has been smooth Bristol Board and this became the support for my third attempt.
I decided I would only work with Luminance so that I could get to know them a little. I quickly discovered I needed to use my Polychromos for the detail, i.e. eyes, mouth and ears and also to bring in a slightly deeper strength of colour in places. I was relieved as I did this, to discover first hand what I had perviously heard, that Luminance and Polychromos can be used together 🙂
At the moment I am working on building up skin tones, trying to hang on to the translucence and smoothness of blemish free young skin as I do.